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This body of work is based on feminine contours, both young and old. I choose the female form because it is the one with which I am most familiar. But especially the women I draw originate from my self-portraits, and the animals I draw are my own pets. Thus I always begin with my own symbols and my knowledge of life.
I choose to draw the figure because to me the face and body posture reveal emotion. The figure gazes down, or the head is tilted in order to open the inner self to the outside world. Her placement is vital, as is her relationship to her surroundings. I combine my symbols, such as the furniture (stability), with her presence in order to capture her sense of belonging and her expression of life. She is contained within a series of circular shapes so that she is complete and anchored. The backgrounds are solid to make her secure. The figures are drawn in pencil because I can feel the contact of the pencil and the paper more intimately than I can with paint. I feel in control, and thus the women come alive.
The symbols and figures are independent, yet they interact in order to reveal a message. I want the viewer to see the introspection of the female. Her thoughts show what her life has been and what is important to her. She reveals her inner self that is most often hidden, the aspect of her true self exposed only to those who seek to understand.
This body of work is based on feminine contours, both young and old. I choose the female form because it is the one with which I am most familiar. But especially the women I draw originate from my self-portraits, and the animals I draw are my own pets. Thus I always begin with my own symbols and my knowledge of life.
I choose to draw the figure because to me the face and body posture reveal emotion. The figure gazes down, or the head is tilted in order to open the inner self to the outside world. Her placement is vital, as is her relationship to her surroundings. I combine my symbols, such as the furniture (stability), with her presence in order to capture her sense of belonging and her expression of life. She is contained within a series of circular shapes so that she is complete and anchored. The backgrounds are solid to make her secure. The figures are drawn in pencil because I can feel the contact of the pencil and the paper more intimately than I can with paint. I feel in control, and thus the women come alive.
The symbols and figures are independent, yet they interact in order to reveal a message. I want the viewer to see the introspection of the female. Her thoughts show what her life has been and what is important to her. She reveals her inner self that is most often hidden, the aspect of her true self exposed only to those who seek to understand.
Graphite on Stonehenge 15”x 22”
Graphite on Stonehenge 15”x 22”
Graphite and White Conte on Stonehenge 15”x 22”
Graphite on Stonehenge 22”x 15”
Graphite on Stonehenge 15”x 22”
Graphite on Stonehenge 15”x 22”
Covid Susan
Graphite on Stonehenge 15”x 22”
Covid Charlotte
Graphite on Stonehenge 15”x 22”
Giacomo
Graphite on Stonehenge 15”x 22”
Kira
Graphite on Stonehenge 15”x 22”
Dwight
Graphite on Stonehenge 15”x 22”
Louise at the Heliconian
Graphite on Stonehenge 15”x 22”
Andrei portrait
Graphite on Stonehenge 15”x 22”
Ben in a Bathrobe and Slippers
Graphite on Stonehenge 15”x 22”
Darcy and 11 week Bridin
Graphite on Stonehenge 15”x 22”
Rachel Study
Graphite on Stonehenge 15”x 22”
Amelia day 1
Graphite on Stonehenge 15”x 22”
Ben's Back
Graphite on Stonehenge 15”x 22”
Murray
Graphite on Stonehenge 15”x 22”
Cassandra
Graphite on Stonehenge 15”x 22”
Amelia day 2
Graphite on Stonehenge 15”x 22”
In a chair
Graphite on Stonehenge 15”x 22”
Substitute
Graphite on Stonehenge 15”x 22”
Rachel on Bench Horse
Graphite on Stonehenge 15”x 22”
Yumi on a chair
Graphite on Stonehenge 15”x 22”
Seated Pat
Graphite on Stonehenge 15”x 22”
Bijou
Graphite on Stonehenge 15”x 22”
Murray at Artists25
Graphite on Stonehenge 15”x 22”
Lady Poser
Graphite on Stonehenge 15”x 22”
Yuri at Forest Hill
Graphite on Stonehenge 15”x 22”
Dina-Maria at Forest Hill
Graphite on Stonehenge 15”x 22”
Paris on the couch
Graphite on Stonehenge 15”x 22”
Andre full pose
Graphite on Stonehenge 15”x 22”
Susan at Forest Hill
Graphite on Stonehenge 15”x 22”
Jessica at Artists25
Graphite on Stonehenge 15”x 22”
Polyna
Graphite on Stonehenge 15”x 22”
Alina
Graphite on Stonehenge 15”x 22”
Adi quickly
Graphite on Stonehenge 15”x 22”
Katie
Graphite on Stonehenge 15”x 22”
Rachel in heels
Graphite on Stonehenge 15”x 22”
Dana at Banbury
Graphite on Stonehenge 15”x 22”
Christine
Graphite on Stonehenge 15”x 22”
Rachel
Graphite on Stonehenge 15”x 22”
Polyna Further Back
Graphite on Stonehenge 15”x 22”
Forest Hill
Graphite on Stonehenge 15”x 22”
Christina in a Ballgown
Graphite on Stonehenge 15”x 22”
Mario at 519
Graphite on Stonehenge 15”x 22”
Nyda on a stool
Graphite on Stonehenge 15”x 22”
Charlotte's Back
Graphite on Stonehenge 15”x 22”
"Just moved here."
Graphite on Stonehenge 15”x 22”
Helconian
Graphite on Stonehenge 15”x 22”
Murray
Graphite on Stonehenge 15”x 22”
Any Given Sunday
Graphite on Stonehenge 22"x 30"
Helconian
Graphite on Stonehenge 15”x 22”
Louise From The Other Side
Graphite on Stonehenge 15”x 22”
Back again
Graphite on Stonehenge 15”x 22”
Heliconian
graphite on stonehenge 15"x22"
The calm II
graphite on stonehenge 15"x22"
Banbury
Graphite on Stonehenge 18"x 24"
Namaste
Graphite on Stonehenge 7.5"x 11"
Musicians
Graphite on Stonehenge 15”x 22”
Anu Wearing Underpants. I Feel Your Pain
Graphite on Stonehenge 22”x 30”
Ben
Graphite on Stonehenge 15”x 22”
AGA
Graphite on Stonehenge 15”x 22”
Pet Series: Two Cats and a Dog
Graphite on Stonehenge 15”x 22”
Pet Series: Woman's Best Friend
Graphite on Stonehenge 15”x 22”
It's so Nice to Draw on a Thursday
Graphite on Stonehenge 22”x 30”
The 519
Graphite on Stonehenge 15”x 22”
Music in the Air
Graphite on Stonehenge 15”x 22”